The team agreed, and the game was renamed Ultima Underworld. None of us had ever seen anything like it.' The two companies reached a publishing agreement that summer, and Origin suggested that the game be reworked to fit into the Ultima universe. Origin producer Warren Spector later said, 'I remember Paul showing me that demo at CES and being totally floored by it. Neurath described the prototype as 'fast, smooth, and true texture mapped walls, though the ceiling and floor were flat shaded and the corridors and rooms were all 10' high-it looked a lot like Wolfenstein-3D in fact.' The team demonstrated it at the June 1990 Consumer Electronics Show (CES) and impressed Origin Systems.
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Using the Space Rogue engine, Green's algorithm, assembly code from Lerner Research's Car and Driver and original programming, the Blue Sky team completed a prototype of Underworld after roughly a month of work.
He contacted Lerner Research programmer Chris Green-an acquaintance from his past work with Ned Lerner-who created a working algorithm. Neurath had experimented unsuccessfully with the concept on an Apple II computer in the late 1980s, but he believed that the more powerful IBM PCs of the time might be able to process it. Īn early difficulty was the implementation of texture mapping. The team was thus composed of Doug Church as programmer, Doug Wike as lead artist and Paul Neurath as lead designer. Among the company's first employees was Doug Church, who was studying at the Massachusetts Institute of Technology (MIT). That spring, Neurath founded the company Blue Sky Productions in Salem, New Hampshire, with the intention to create Underworld. The animation defined the game's direction, and it was used as a reference point for the game's tone and features throughout development.
Wike created a brief, hand-drawn animation with Deluxe Paint Animation, which depicted the game's interface and a creature moving toward the player. In early 1990, Neurath wrote a design document for a game titled Underworld, which described such elements as 'goblins on the prows of rowboats tossed in the waves, shooting arrows at the player above on a rope bridge swinging in the wind.' He contracted former Origin employee Doug Wike to create concept art.
He believed that Dungeon Master's detailed first-person presentation was a 'glimpse into the future', and he sought to create a fantasy role-playing game that built on its example. Neurath had enjoyed role-playing video games like Wizardry, but found that their simple, abstract visuals were an obstacle to the suspension of disbelief. Exploratory actions include looking up and down, jumping, and swimming. The player character may carry light sources to extend the line of sight in varying amounts. An automatically filling map, to which the player may add notes, records what the player has seen above a minimum level of brightness. The player's progression through the game is non-linear: areas may be explored, and puzzles and quests finished, in any order. Each icon has a specific effect for example, the Look icon allows the player to examine objects closely, while the Fight icon causes the player character to ready his or her weapon. The player uses a freely movable mouse cursor to interact with the game's world, and with the icon-based interface on the heads-up display (HUD).
The player's goal is to adventure through a large, multi-level dungeon, in which the entire game is set. Ultima Underworld is a role-playingvideo game (RPG) that takes place from a first-person perspective in a three-dimensional environment.
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